John Hancock BA Studio Practice Research

(1/11/22) On the 1st of November after having painted one of my wooden boards with pink and red enamel paint, I was trying to place the next piece of the puzzle.  This came in the form of some dried liquid latex and sofa cushion filling.  When I got into the studio on this day (1/11/22) I was feeling a mental block. I had felt this somewhat during my commute on the train, but had merely dismissed it as tiredness and told myself that once I woke up a bit I would be fine. Surely enough the mental block persisted and I found myself hunched over in a chair, looking at the paintings I had started (at least I had started), feeling the nausea of existential dread soak through me (melodrama implied).  I do usually expect this mental block during the start of a new project. Especially in the early stages where the paintings have so much possibility it is difficult to tell what way they will go. Never the less I decided to take myself for a walk, in an attempt to clear my mind of t...

Today (18/10/22) marked the day I began painting for my studio practice. After the last week or so gathering materials and negotiation of transporting them into the college building, I finally got my materials situated. This now allows me to begin painting and fleshing out ideas ready to prepare and write a project proposal.  Todays mission was to make a start. No matter how basic the start was, I needed to find my way in. As it stands I have an abundance of ideas drifting around in my head, but none made tangible though sketches or inspirations documented in a research journal. This blog will serve as research evidence and updates on progress and experimentations in my studio practice. Currently I have a dense amount research to document and make cohesive the ideas that are scattered through my mind and  ratty note books stuffed in bags, coat pockets and doors of my car.  My start was made today by applying enamel paint to one of the wooden boards I have sourced. This pr...